ROBERT W. MCDOWELL, EdD
Interim Chair
JOHN A. CAMPBELL, PhD
Coordinator of Graduate Studies
E-mail: comdpt@cc.memphis.edu
www.people.memphis.edu/%7Ecommdept/
I. The Department of Communication awards the Master of Arts degree with a major in Communication and concentrations in Communication or Film and Video Production. The department also awards the PhD degree with a major in Communication.
II. MA Program
A Master’s Degree in Communication from The University of Memphis prepares students for success in the many professional opportunities in this field and success in pursuing a doctoral degree in Communication. Students have a choice of two concentrations: communication or film and video production.
Program objectives are: (1) advanced understanding of classical rhetorical social science research tradition, and the dominant thinkers, theories, and methods current in the field; (2) practice of effective communication education; and (4) ability to conduct and communicate scholarly research.
A. Admissions CriteriaB. Initial Graduate Advising
All candidates must pass both a written and an oral comprehensive examination during or after their last semester of course-work.
All requirements for the degree must be completed in 6 calendar years.
II. Departmental MA Guidelines
Additional details and information are available in the departmental MA Guidelines given to students following admission.
III. PhD Program
A. Introduction
The PhD program in the Department of Communication at The University of Memphis provides fundamental grounding in the theory and practice of communication, media, and rhetoric as directed toward a variety of contexts, especially that of the urban environment.
B. Program Admission
The Department uses the following criteria in consideration of applications:
A student will be retained continuously in the program within university time limits until completion of the degree, provided the following conditions are met.
Additional details and information are available in the departmental PhD Guidelines given to students after admission into the program.
6011. Communication in Organizations. (3). Communication systems and problems in contemporary organizations with emphasis on the role of communication in corporate culture and in organizational change.
6012. Health Communication. (3). Examination of the role of communication in health care; application of communication theory and practice to the health care context from provider-patient interaction to cultural influences on health.
6013. Communication in Political Campaigning. (3). Forms and effects of communication between politicians and constituencies with emphasis on campaign rhetoric via the mass media, debates, model speeches, etc.
6014. Computer-Mediated Communication.(3). Examination of theories of computer-mediated communication in interpersonal relationships and organizations, and the role and impact of the Internet and computer technology in society.
6210-19. Special Topics in Communication Studies. (1-3). Topics are varied and announced in the online class listings. May be repeated for maximum of 9 hours when topic varies.
6220-29. Special Topics in Film. (1-3). Topics are varied and announced in online class listings. May be repeated for maximum of 9 hours when topic varies.
6340. Listening. (3). Exploration of communication theory and practice from the perspective of listening; emphasis on philosophical, practical, and personal dimensions of listening as an art of being as well as a mode of doing.
6341. Interpersonal Communication. (3). Theory, research, and practice regarding dyadic communication.
6342. Small Group Communication. (3). Advanced study of group communication theory emphasizing group membership, member perceptions, group development, group process, and group outcomes.
6360. Great American Speeches. (3). Examination of notable speeches from before the founding of the republic through the twentieth century; religious and secular foundations of American rhetoric; tensions of inclusion and exclusion in development of national self-understanding.
6373. Interracial Communication. (3). The social problems encountered in communication between blacks and whites; readings, discussion, and field study on how prejudice, stereotypes, and self-concepts can affect communication; exploration of rhetorical methods to minimize these problems.
6375. Intercultural Communication. (3). Special problems encountered in communication between people of different cultural backgrounds; focus on understanding communicative interaction between and among people with different national/cultural backgrounds and functioning more effectively in multicultural settings.
6380. Communication and Conflict. (3). Theories and methods of conflict management and resolution, focusing on practical communication skills; emphasis on concepts of perception, listening, and peacemaking.
†6802. Internship. (1-3). Field studies in communication; supervised practical work with government institutions, private business, film company, or broadcast and electronic media firm; written analysis of experience required. May be repeated for a maximum of 6 semester hours. PREREQUISITE: Permission of instructor.
6810. Broadcast Regulation and Program Policy. (3). Effects of FCC and other governmental regulations on broadcasting and electronic media management and operations; licensing, renewals, content control, politics, and copyright.
6811. Radio and Television Programming. (3). Analysis of individual program formats (with examples); use of this information along with ratings and other audience research to study the design of program schedules.
6812. Communications Law in the Performing Arts. (3). Artist, performer, management contractual relationships; acquisition, copyright, and disposition of literary and audio-visual properties; production and distribution agreements; advertising law and other matters for TV, motion picture, radio, and stage businesses.
6822. Audio Production for Broadcasting and Film. (3). Intermediate principles and practices of audio (recording, editing, mixing, and design) with emphasis on film and video production. PREREQUISITE: Minimum grade of "C" in COMM 3824 or permission of instructor.
6824.Cinematography/Videography. (3). Art of visual interpretation with a strong concentration in the theory and techniques of lighting. Experience with professional film and video cameras and lighting equipment. PREREQUISITE: COMM 3824.
6825. Editing and Post-Production. (3). Aesthetics of continuity development in variety of editing styles; editing techniques and post-production procedures for both video and double system film. PREREQUISITE: Minimum grade of "C" in COMM 3824 or permission of instructor.
6831. Broadcast and Cable Sales and Advertising. (3). Relation of broadcasting and cable sales and advertising to networks, station representatives, and salespeople; role of sponsors, agencies, and allied groups.
6841. Television Workshop. (4). Production of television programming for local cablecasting. May be repeated for a maximum of 8 semester hours; repetition will not result in change of any grade previously given. PREREQUISITE: Permission of instructor.
6842. Television Studio Production II. (4). Advanced training in TV studio/multiple camera techniques; extensive production work. PREREQUISITE: COMM 3842.
6850. Film History I. (3). (6852). Historical survey of motion pictures from medium’s pre-history to 1940 with emphasis on narrative film.
6851. Film History II. (3). Historical survey of major movements, genres, and themes in narrative film from 1940 to 1960.
6853. Documentary Form in Film. (3). Development of non-fiction film as rhetorical and expressive form; analysis of individual films, genres, and filmmakers.
6856. Women and Film. (3). Women as performers, viewers, subjects, and creators in American and international film.
6857. History of Broadcast and Electronic Media. (3). Comprehensive history of broadcast and electronic media as developed from 1895 to present.
6858. Contemporary Cinema. (3). Major themes and styles in international and American narrative film from 1960 to present.
6871. Broadcast and Cable Management. (3). Theories of management; special problems and situations confronting managers of broadcast and cable outlets, including personnel, engineering operations, programming, and sales functions. PREREQUISITE: COMM 3800.
6891. Producing and Directing for Film and Video. (3). Research and script preparation; budgeting and production management; working with actors and crew. PREREQUISITE: Minimum grade of C in COMM 3824 or permission of instructor.
6960. Documentary Writing. (3). Writing for nonfiction media.
6970. Screenwriting. (3). Writing for fiction film and television. Basic dramatic theory, narrative structure, characterization, dialogue, adaptation and unique demands of audio/visual media.
†7001-8001.Research Assistantship. (3). Assisting professors with research projects. May be repeated for a maximum of 12 credit hours. PREREQUISITE: Graduate research assistant status in Department of Communication.
†7002-8002. Intermediate Teaching Techniques for Graduate Assistants. (3). Overview and practical demonstrations of the art of teaching oral communication; discussion of instructional issues including the role of race, ethnicity, and nationality in classroom interactions. May be repeated for a maximum of 12 credit hours. PREREQUISITE: Graduate teaching assistant in Department of Communication.
†7003-8003. Advanced Teaching Techniques for Graduate Assistants. (3). Discussion of pedagogy for the traditional classroom and other instructional settings (e.g corporate training); may include interning in and teaching courses in addition to oral communication. May be repeated for a maximum of 12 credit hours. PREREQUISITE: Graduate teaching assistant in Department of Communication.
7012-8012. Seminar in Health Communication. (3). Examination of current issues in health communication research, including patient-provider relationships, new technologies and health promotion, health organizations, and health in the mass media. May be repeated for a maximum of 9 credit hours.
7013-8013. Seminar in Political Communication. (3). Study of research pertaining to variables in political communication, such as debates, commercials, consultants, ethics, coverage. May be repeated for a maximum of 9 hours credit.
7210-19–8210-19. Special Topics in Communication Studies. (1-3). Topics are varied and announced in online class listings. May be repeated for maximum of 9 hours when topic varies.
7321-8321. Communication Theory. (3). Theories, models, and approaches to study of communication.
7322-8322. Persuasion and Interpersonal Influence. (3). Topical seminar examining how people use communication to alter attitudes and behaviors of others in public and face-to-face settings; covers various social-scientific theories and research areas of persuasion and interpersonal influence. May be repeated for maximum of 9 hours.
7331-8331. Seminar in Communication Theory. (3). Specific topics, issues, and research in communication theory. May be repeated for a maximum of 9 hours credit.
7332-8332. Seminar in Communication Research. (3). Examination of particular methodologies in communication research. Content will vary in response to current issues in the field. May be repeated for a maximum of 9 hours.
7350-8350. Rhetorical Theory. (3). Development of rhetorical theory from c. 500 BC to present. PREREQUISITE: Permission of instructor for non-degree-seeking students.
7362-8362. Seminar in Public Address. (3). Intensive study of selected topics in the analysis and criticism of public arguments; emphasis on cross-cultural comparison of arguments and appeal in common rhetorical situations. May be repeated for a maximum of 6 hours credit.
7369-8369. Seminar in Organizational Communications. (3). Selected variables of organizational communication with emphasis on methods of analyzing and auditing communication within the organizational setting. May be repeated for a maximum of 9 hours credit.
7371-8371. Rhetorical Criticism. (3). An examination of the nature, questions, perspectives, and explanatory aims of rhetorical criticism. PREREQUISITE: Permission of instructor for non-degree-seeking students.
‡7374-8374. Independent Studies in Communication Arts. (1-3). Independent research in areas of special interest including rhetoric, radio, television, and film. May be repeated for a maximum of 9 hours. PREREQUISITE: Permission of the instructor.
7432-8432. Quantitative Research Methods. (3). Survey of quantitative research in communication; practical experience in collecting and analyzing quantitative information.
7434-8434. Qualitative Research Methods. (3). Survey of qualitative research in communication. Practical experience in collecting and analyzing qualitative information.
7450-8450. Seminar in Interpersonal Communication. (3). Selected examination of theory about one-on-one interactions, related research, and application of that theory and research in diverse interpersonal contexts. May be repeated for a maximum of 9 hours credit.
7460-8460. Seminar in Group Communication. (3). Examination of the theoretical and methodological approaches to the study of group communication focusing on both the task and relational orientations of group interaction. May be repeated for a maximum of 9 hours credit.
7472-8472. Organizational Culture and Change. (3). Examination of the wide variety of theoretical and methodological approaches to culture, identification of types of organizational cultures, and tracking cultural evolution.
7474-8474. Supervisory Communication and Leadership. (3). Examination of the communication issues, strategies, and concepts involved in supervisory communication effectiveness. Review of current research regarding supervision, leadership, and teams.
7612-8612. Classical Rhetorical Theory. (3). Examines the development of Greco-Roman rhetorical theory from the Sophists through Quintilian and Augustine.
7614-8614. Modern Rhetorical Theory. (3). Examines central documents in the western rhetorical tradition from the fifteenth through the nineteenth centuries.
7616-8616. Contemporary Rhetorical Theory. (3). Examines the relationship between rhetorical theory and contemporary philosophy, especially poststructuralism, neo-pragmatism, and hermeneutics.
7632-8632. Seminar in Rhetorical Criticism. (3). Examination of the principal modes of contemporary rhetorical analysis such as Neoclassical, Burkean, Feminist, Cultural/Critical, and Poststructuralist. Repeatable for 9 hours.
7802-8802. Seminar in Film Criticism. (3). Intensive study of selected periods, genres, or filmmakers with emphasis on independent research project. May be repeated for a maximum of 9 hours.
7804-8804. Seminar in Media Theory and Criticism. (3). Major critical approaches to media form and content; emphasis on film and television. May be repeated for a maximum of 6 hours.
7806-8806. Seminar: Trends in Mass Communication. (3). Critical issue or issues facing communications today. Topics will vary each time offered. May be repeated for a maximum of 6 credits.
7807-8807. Seminar: Mass Communication Theory. (3). Selected concepts of mass communication with special attention to variables, media, and tools in mass communication research.
7808-8808. Seminar: Mass Communication and Society. (3). Interrelationships between mass communications, the individual, and society. Topics will vary each time offered. May be repeated for a maximum of 6 credits.
7809-8809. Seminar in Communication History. (3). Selected topics in history of communication, including public address, film, broadcasting, and electronic media. May be repeated for a maximum of 6 hours.
‡7892. Film and Video Production. (1-3). Workshop for film and video production. Students write, produce, direct, or assume crew responsibilities on productions. May be repeated for a maximum of 6 credits. See departmental guidelines for independent production requirements and procedures. PREREQUISITE: COMM 3824 or permission of instructor.
7991. Seminar in Comparative Media. (3). To demonstrate through intensive analysis what happens to the form and content of a creative work in its various adaptations: novel, condensation, stage, movie, and television. Open to all Theatre and Dance, Communication, and English majors.
‡7993-8993. Special Problems. (1-3). Directed individual investigation of special research projects not included in thesis.
†7994-8994. Culminating Project. (3). Culminating research project in lieu of a thesis.
†7995-8995. Production Practicum. (3-6). Creative performance or production project suitable for public presentation and/or a practical application. Project to be determined in consultation with and directed by the student’s supervisory committee.
†7996. Thesis. (1-6).
‡8992. Major Area Paper. (3-6). Preparation of a manuscript-length paper as determined by the student’s advisory committee. The topic will be approved by the committee. The paper may be a literature review, original research study, or other scholarly work of a quality similar to published research literature.
†9000. Dissertation. (1-9). For students who have passed their comprehensive exam and have an approved prospectus to write their dissertation under the direction of their advisor.
† Grades of S, U, or IP will be given.
‡Grades of A-F, or IP will be given.