STEPHEN TABACHNICK, PhD
Chair
VERNER D. MITCHELL, PhD
Coordinator of Graduate Studies
(901) 678-1448
I. The Department of English offers programs of study leading to the Master of Arts degree, the Master of Fine Arts degree, and the Doctor of Philosophy degree. Entering students will consult with a departmental advisor to plan their course of study. Students in the MA program will choose one concentration from the five offered: Composition Studies, Language and Linguistics, Literature, Professional Writing, or English as a Second Language. Students in the PhD program will choose one of four concentrations: Composition Studies, Professional Writing, Applied Linguistics, or Textual Studies.
Program objectives are: (1) development of skills to engage in original research or original creative writing for publication or for positions in education or industry; (2) development of advanced competencies in teaching language or literature and presentation of works to others; and (3) understanding and contributing to contemporary issues and debates in the chosen concentration.
II. MA in English Degree Program
A. Admission
An undergraduate degree with a major in English. A student who does not have an undergraduate major in English or appropriate background may be required to complete a maximum of 12 upper division hours in English with a grade of B or higher in each course.
C. Program Requirements
NOTE: Courses numbered 7004, 7005, 7006, 7812, and 7813 require approval of the Chair of the Department and Coordinator of Graduate Studies in order to be applied toward any concentration.
D. Retention Requirements
Students who are on academic probation for two consecutive semesters will not be allowed to continue in the program. Upon entering the MA program, a student chooses an advisor in his or her concentration. The advisor will monitor the student's progress toward completion of the degree. Each semester the Graduate Studies Committee will examine the academic progress of all students for retention in the program. If a student receives either two C's, one D, or one F grade in any English graduate level course, that student will be subject to review and could be dismissed from the program. In order to remain in good standing, all graduate students must maintain a 3.0 average in English Department courses.
III. MFA in Creative Writing Degree Program
The Master of Fine Arts in Creative Writing provides studies in poetry, fiction, and nonfiction, along with a variety of options for either a studio degree in Creative Writing, or a degree combining work in either the Department of English or other departments in which course work, or independent study, speems particularly pertinent to the student's creative thesis. A book-length thesis of publishable quality is required; it will be directed by a member of the MFA faculty. The MFA requires 48 graduate semester hours, with a 3.00 grade point average in all graduate courses.
A. Admission
B. MA Credit
Any applicant who holds an MA degree in English may apply up to a maximum of twenty-four (24) semester hours in English earned for that degree toward the MFA degree, with the approval of the graduate coordinator. A student's advisor will insure that the combination of MA credits and courses taken in the program has appropriate breadth. Credit previously earned at another institution must be presented for evaluation not later than the end of the student’s second semester of enrollment.
C. Program Requirements
All students must fulfill the 48-hour degree requirement from the Core Requirements in section 1 in combination with one area of specialization under the Addisional Requirements in section 2: the Studio Option, the Literary Studies Option, The Creative/Professional Option, or the Cross-Disciplinary Option.
NOTE: Although it is not a core requirement for the degree, all students recieving a Teaching Assistantship must take ENGL 7003 either before they become a teaching assistant or during their first semester of teaching. It is included as an alternative course in each of the options for additional requirements below.
D. Retention Requirements
Upon entering the MFA program, a student chooses an advisor in his or her concentration. The advisor will monitor the student's progress toward completion of the degree. Each semester the Graduate Studies Committee will examine the academic progress of all students for retention in the program. If a student receives either two C's, one D, or one F grade in any English graduate level course, that student will be subject to review and could be dismissed from the program. In order to remain in good standing, all graduate students must maintain a 3.0 average in all courses. Students who are on academic probation for two consecutive semesters will not be allowed to continue in the program.
IV. PhD in English: Writing and Language Studies Degree Program
The PhD in English is designed to prepare scholars in widely recognized fields of English, as well as to prepare advanced writing specialists in the fields of business and industry. The structure of the program provides for four related concentrations (Composition Studies, Professional Writing, Applied Linguistics, Textual Studies) that offer students the professional flexibility that comes with competencies acquired through preparation in a broadly integrative discipline.
A. Admission
The following are required for admission to the PhD program in English for all applicants, whether applying with a bachelor’s or master’s degree.
Upon entering the PhD program, a student chooses an advisor in his or her concentration. The advisor will monitor the student’s progress towards completion of the degree. Each semester, the Graduate Studies Committee will examine the academic progress of all students for retention in the program. If a student receives either two C's, one D, or one F grade in any English graduate level course, that student will be subject to review and could be dismissed from the program. In order to remain in good standing, all graduate students must maintain a 3.0 average in English Department courses. Students who are on academic probation for two consecutive semesters will not be allowed to continue in the program.
C. Graduation Requirements
VI. Certificate Program in Teaching English as a Second/Foreign Language (TESL/TEFL)
The TESL/TEFL Graduate Certificate provides training to those interested in teaching English as a Second/ Foreign Language. The certificate is given for to those who complete the practical preparation needed to teach English both within and outside the United States to post-secondary students and adults. The specific courses for the certificate include the specific knowledge and skills specified for ESL teachers and identified by TESOL, Teachers of English to Speakers of Other Languages, Inc. Students have the option of completing the program on-line.
Note: The Certificate in Teaching of English as a Second/Foreign Language is not a program to prepare K-12 ESL teachers. Pre-service and in-service teachers seeking an ESL certificate and an add-on endorsement in ESL for K-12 should contact the College of Education for details.
A. Admission Requirements
D. Graduation Requirements
Relatively early in the semester in which they intend to graduate, certificate candidates
must file an Intent to Graduate Card with the Graduate School and a Candidacy form with the Graduate
Coordinator for English.
VII. Certificate Program in African American Literature
The African American Literature
certificate provides training to students interested in teaching African American Literature. The goal of the training is to
1) provide students with the preparation they need to teach African American Literature, and 2) give official
recognition of preparation to help students qualify for jobs both within and outside the United States.
B. Program Requirements
C. Retention Requirements
Same as retention policies applicable to Department of English graduate degree programs.
D. Graduation Requirements
Relatively early in the semester in which they intend to graduate,
certificate candidates must file an Intent to Graduate Card with the Graduate School and a Candidacy form with
the Graduate Coordinator for English.
†6500. Language Skills for Internationals. (3).
6533. Issues and Techniques in English as a Foreign Language. (3). Skills, background, and approaches needed to teach English outside the United States.
7000-8000. Literary Research. (3). Various approaches to literary scholarship and research methodology; introduction to professional standards, bibliographical methods, and procedures of scholarship and criticism. NOTE: This course is required for Literature majors and should be taken in the first year of graduate study.
7001-8001. Language and Composition. (3). Studies in the craft of composition, with focus upon sound editorial practice and the writing and analysis of the varieties of expository prose.
7003-8003. Theory and Practice in Teaching Composition. (3). Designed for graduate assistants teaching English 1101. Emphasis on the ways and techniques of teaching rudiments of English composition on college level. Required of and restricted to graduate teaching assistants.
†7004-8004. Internship for Graduate Teaching Assistants. (3). Supervision of and consultation with English teaching assistants. PREREQUISITES: ENGL 7003 or equivalent plus appointment as graduate teaching assistant in English.
†7005-8005. Reading for Comprehensives. (3). Arranged on an individual basis for English graduate students only. PREREQUISITE: Student must have completed required course work toward degree or be in the last semester of required course work.
†7006-8006. The English Profession. (3). Presentations relating to the profession of college teaching, including methods and means of research and publication in different fields of English.
†7007-8007. Teaching Skills for Graduate Assistants. (3). Overview and practical demonstrations of the art of teaching for graduate assistants. May be repeated for a maximum of 12 credit hours.
7012-8012. Seminar in Health Communication. (3). (Same as COMM 7012-8012). Examines current issues in health communication research, including patient-provider relationships, new technologies and health promotion, and health organizations. May be repeated for a maximum of 9 credit hours.
7013-8013. Workshop for Health Care Writing. (3). Textual and contextual analysis of the kinds of writing produced for expert audiences in the healthcare industry and the academic research community; practice in writing documents such as technical proposals, clinical research reports, FDA documentation, and papers for publication.
7014-8014. Workshop for Public Health Care Writing. (3). Theoretical understanding and skill-based practice in communicating healthcare information (patient education materials, public health care information, patient instructions) to a generally non-expert audience; rhetorical and analytical tools for shaping the information; practical skills for managing group projects and processes; and the opportunity to develop them in a workshop setting.
7020-49–8020-49. Special Topics in English. (3). Topics are announced in online course listings.
‡7100-8100. Independent Study. (1-3). Focuses on a selected topic dealing with language study or a literary form, theme, figure, or movement. Topic chosen by student and approved by student's advisor and Department Chair. Can be used only as an elective.
7211-8211. Medieval Literature. (3).
7230-8230. Chaucer. (3).
7232-8232. Shakespeare's Tragedies. (3).
7233-8233. Shakespeare's Comedies and Histories. (3).
7242-8242. English Renaissance Literature. (3).
7244-8244. Elizabethan and Jacobean Drama. (3).
7254-8254. English Literature of the Seventeenth Century. (3).
7256-8256. Milton. (3).
7264-8264. English Poetry and Prose, 1660-1800. (3).
7265-8265. Eighteenth Century British Novel. (3).
7276-8276. English Literature of the Romantic Period. (3).
7278-8278. Victorian Literature. (3).
7280-8280. Nineteenth Century British Novel. (3).
7291-8291. Modern British Novel. (3).
7292-8292. Modern British Poetry. (3).
7293-8293. Modern British Drama. (3).
7323-8323. American Literature to 1865. (3).
7324-8324. American Literature, 1865-1914. (3).
7325-8325. African American Literature, 1930-1960. (3). Focuses on the rise of African American modernism and its role in the development of protest literature of the 1960s; locates texts in multiple literary traditions, but concentrates on their relation to traditions of African American and Anglo-American writing.
7326-8326. African American Literature of Memphis and the Mid-South. (3). Focuses on the rise of African American literature from the cultural matrix that became Memphis, a gathering point and crossroads for African American writers of all genres from 1867 Reconstructionist writings to the present southern Hip Hop Writers movement.
7327-8327. Studies in Form and Genre: African American Literature. (3). Examination of the development of an African American literary genre such as African American poetry, the slave narrative, or the African American novel. Through study of both primary and secondary texts, students will gain an understanding of the historical context in which a specific African American literary genre emerged, as well as become conversant in the critical discussions in which these literary forms are defined and theorized.
7328-8328. Studies in Major Authors: African American Prose and Fiction. (3). Examination of selected writers or cultural figures with emphasis on biography, bibliography, and the shape of the writer's or figure's career. May be repeated for a maximum of 6 credit hours when topic changes.
7350-8350. Rhetorical Theory. (3) (Same as COMM 7350-8350). History of rhetoric from the sophists through the present; includes readings from Isocrates, Plato, Aristotle, Cicero, Augustine, Erasmus, Ramus, Campbell, Blair, John Q. Adams, and others.
7371-8371. Rhetorical Criticism. (3). (Same as COMM 7371-8371). Examines principal modes of contemporary rhetorical analysis. May be repeated for a maximum of 9 credit hours.
7391-8391. Modern American Novel. (3).
7392-8392. Modern American Poetry. (3).
7393-8393. Modern American Drama. (3).
7411-8411. European Literature to the Renaissance. (3).
7412-8412. European Literature since the Renaissance. (3).
7432-8432. Quantitative Research Methods. (3). (Same as COMM 7432-8432). Survey of quantitative research in communication; practical experience in collecting and analyzing quantitative information.
7441-8441. European Fiction. (3). Movements and writers important to development of Continental Europe in the late eighteenth century to present.
7442-8442. Modern European Drama. (3).
7451-8451. Women and Literature. (3). Literature and criticism by and about women.
7452-8452. Biography: Process and Text. (3).
7462-8462. Contemporary British and/or Commonwealth Literature. (3). Authors, works, genres, and literary styles in development of contemporary British and Commonwealth literatures.
7464-8464. Contemporary American Literature. (3). Authors, works, genres, and literary styles in development of contemporary American literature.
7465-8465. African American Literature 1960 to the Present. (3). Major African American writers and/or movements from the 1960s up to the present.
7466-8466. Contemporary World Literatures in Translation. (3). Contemporary non-English fiction in translation, primarily from non-Western European cultures; focus on major movements and writers.
7467-8467. African American Literature, Beginnings to 1900. (3). Survey of African American literature from its beginnings up to and including the first works of the twentieth century.
7468-8468. Literature of the Harlem Renaissance. (3). Examination of poetry, prose, and drama from the period known as the "Harlem Renaissance" within the context of space, place, and geography.
7469-8469. African American Women Writers. (3). Examines the variety of ways black women writers have reclaimed the creative power of agency, emphasizing areas of difference as well as continuity within the African American literary tradition; combines considerations of context, both historical and political, with rigorous textual and theoretical analyses.
7470-8470. Forms of Creative Nonfiction. (3). Creative nonfiction with attention to historical roots and contemporary theory and practice. May be repeated up to 6 hours with change of topic/course content and approval of Program Coordinator.
7471-8471. Forms of Fiction. (3). A study of how fiction works through analyzing the short story, the novella, and the novel with attention to historical developments. May be repeated up to 6 hours with change of topic/course content and approval of Program Coordinator.
7472-8472. Forms of Poetry. (3). A study of meters, forms, and types of poetry in English with attention to the principal traditions and critical ideas associated with the writing of verse in English. May be repeated up to 6 hours with change of topic/course content and approval of Program Coordinator.
7473-8473. Verbal/Visual Texts. (3). May be repeated up to 6 hours with change of topic.
7474-8474. Cultural Texts. (3). May be repeated up to 6 hours with change of topic.
7475-8475. Literary Publishing. (3). Development of skills involved in editing, producing, and marketing a literary magazine; further training in the skills of publishing the student’s own literary texts. May be repeated for a maximum of 6 credit hours with change in course content. PREREQUISITE: Permission of instructor.
7476-8476. Modern Popular and Literary Tradition. (3). Examination of issues (e.g. gender, nationalism, punishment) as they are represented in the texts of high and low culture beginning in the modern period, emphasizing how such representation challenges the distinction between high and low culture. May be repeated for a maximum of 6 credit hours.
7477-8477. Textuality: History, Culture, Form. (3). Historical examination of ways in which texts are produced. May be repeated for a maximum of 6 credit hours.
7478-8478. Textuality and Identity. (3). Relationship between textuality and social groups. May be repeated for a maximum of 6 credit hours.
7479-8479. Studies in Cultural Figures. (3). Examination of selected writers or cultural figures with emphasis on biography, bibliography, and the shape of the writer’s or figure’s career. May be repeated for a maximum of 6 credit hours.
7480-8480. Cultural Theories. (3). Advanced social, political, and cultural theories that structure the understanding of cultural texts. May be repeated for a maximum of 6 credit hours.
7481-8481. Early Popular and Literary Traditions. (3). Examination of the relationship of texts of both high and low culture up to the modern period. May be repeated for a maximum of 6 credit hours.
7485-8485. Literary Arts Programming. (3). Development of skills involved in planning and administering community arts events and organizations; further training in the skills of author interviewing and book reviewing. May be repeated for a maximum of 6 credit hours. PREREQUISITE: Permission of instructor.
7501-8501. History of the English Language. (3).
7511-8511. Introduction to Modern English. (3). An introduction to the nature of language with emphasis on basic principles of English phonology and morphology with special attention to syntax; emphasis on collecting and handling of linguistic data for research purposes.
7512-8512. English Syntax. (3). Study of structures of Modern English from perspective of various contemporary theories to see how form and meaning are integrally related; emphasis on methods of investigating questions that need to be asked in exploring new territory.
7513-8513. Dialectology. (3). Dialects and varieties of American English; emphasis on methods of analyzing data and techniques of eliciting responses to gain information about word forms, syntax, and pronunciation; social implications.
7514-8514. Sociolinguistics. (3). Language use in relation to social interaction and power structures; inequality in varied environments; appraisal of methodologies used in gathering and analyzing data.
7515-8515. Language and Literature. (3). Application of linguistic theory to analysis of literature, nature of literary language, and linguistic options open to writers.
7516-8516. Phonetics and Phonology. (3). Articulatory and linguistic phonetics, phonetic transcription, suprasegmental phonology, overview of English phonology, and information on teaching English pronunciation to speakers of other languages.
7517-8517. Studies in Discourse Analysis. (3). Examination of the tools and methods used by various subdisciplines of English (linguistics, rhetoric, and literature) to analyze forms of discourse, including legal, medical, scientific, technical, business, literary, academic, and oral texts.
†7530-8530. Field Experience and Practicum in ESL. (3, 6). Experience in observing and teaching, peer teaching, and work with an English as a Second Language (ESL) specialist.
7531-8531. Theory and History of ESL. (3). Survey of relation of linguistic principles to second language acquisition.
7532-8532. Principles of Skills Assessment in ESL. (3). Application of theories of teaching second language skills with emphasis on testing in a second language.
7533-8533. Methods and Techniques of ESL in K-12. (3). Techniques and resources for working with children and adolescents for whom English is a second language.
7534-8534. Second Language Acquisition, Bilingualism, and Bidialectalism. (3). Theories of second language acquisition, development of second language proficiency, and research in bilingualism.
7535-8535. ESL Grammar. (3). Grammatical systems and strategies of Modern English; analysis of English structures that tend to cause difficulty for ESL/SESD speakers.
7536-8536. Issues in Second Language Writing. (3). Emphasis on research in second language writing, especially the role of psychological, social, and cultural influences on learning to write in a second language.
7537-8537. Issues in Second Language Reading. (3). Emphasis on how non-native speakers of English learn to read in English, the effect of context and culture on L2 reading, and culturally related responses to reading and literacy traditions.
7538-8538. Cultural Issues in English as a Second Language. (3). Impact of culture on non-English language background speakers as well as the particular aspects of U.S. culture and traditions needed for successful acculturation.
7590-8590. Applied and Theoretical Linguistics. (3). Intensive study of specialized areas in English linguistics. Maybe repeated up to 9 hours with change of topic.
7601-8601. Creative Nonfiction Workshop. (3). Emphasis on examination and discussion of creative nonfiction written by students. May be repeated 10 times for a maximum of 30 credit hours. PREREQUISITE: Permission of instructor.
7602-8602. Fiction Workshop. (3). Emphasis on the examination and the discussion of fiction written by students. May be repeated 10 times for a maximum of 30 credit hours. PREREQUISITE: Permission of instructor.
7603-8603. Poetry Workshop. (3). Emphasis on the examination and the discussion of poetry written by students. May be repeated 10 times for a maximum of 30 credit hours. PREREQUISITE: Permission of instructor.
7604-8604. Creative Writing Workshops Abroad. (3). Emphasis on examination and discussion of fiction, poetry, or creative nonfiction written by students. May be repeated for a maximum of 6 credit hours with change of genre. PREREQUISITE: permission of instructor.
7605-8605. Advanced Fiction Workshop. (3). Designed for candidates in MFA program in Creative Writing who have shown particular excellence in ENGL 7602. May be repeated 10 times for a maximum of 30 credit hours. PREREQUISITE: ENGL 7602.
7606-8606. Advanced Creative Non-Fiction Workshop. (3). Designed for candidates in MFA program in Creative Writing who have shown particular excellence in ENGL 7601. May be repeated for a maximum of 9 credit hours. PREREQUISITE: ENGL 7601.
7607-8607. Advanced Poetry Workshop. (3). Designed for candidates in MFA program in Creative Writing who have shown particular excellence in ENGL 7603. May be repeated for a maximum of 9 credit hours. PREREQUISITE: ENGL 7603.
7621-8621. Seminar in Argumentation. (3). (Same as COMM 7621-8621). Examines historical and contemporary argumentation theories and how those theories are incorporated into the teaching of oral argumentation and composition.
7701-8701. History of Criticism and Theory. (3). History of literary criticism and theory, classical to modern.
7702-8702. Contemporary Criticism and Theory. (3). Examination of major movements in contemporary literary criticism and theory.
7801-8801. History of Composition. (3). Focuses on history of composition as a discipline of its own; examines rise of teaching of composition from 18th century Scottish universities to the present and/or history of development of theoretical approaches toward teaching composition.
7805-8805. Foundations of Technical Writing. (3). Introduction to fields of scientific, and corporate writing; relevant theories in the fields, including classical rhetoric, modern discourse theory, cognitive psychology, and semiotics; extensive practice in writing and analyzing technical documents
7806-8806. Research Methods in Technical Writing. (3). Bibliographic techniques and an introduction to empirical methodologies for the study of the writing process and the testing of written documents.
7807-8807. Workshop: Government and Corporate Writing. (3). Textual and contextual analysis of the kinds of writing produced most often in government, law, and business; practice in writing correspondence reports, briefs, manuals, and proposals.
7808-8808. Workshop: Scientific and Technical Writing. (3). Textual and contextual analysis of the kinds of writing produced most often in industry and the academic research community; practice in writing documents such as technical proposals, reports, computer documentation, and papers for publication.
7809-8809. Technical Editing. (3). Current practices in editing and publication in the field of technical communication; topics include copy-editing, substantive editing, author-editor relations, and the production practice.
7810-8810. Document Design. (3). Theory of visual and written communication, focusing on the problem of how to integrate graphics and written text; practice in design and desktop publishing.
‡7811-8811. Internship in Professional Writing. (3). Assigned on the basis of qualifications and availability, student does a semester's work in technical, scientific, legal, government, or business writing and provides an extensive report and analysis. NOTE: Students who are on academic probation will not be allowed to register for this course. PREREQUISITE: ENGL 7/8805 and ENGL 7/8809
7812-8812. Memphis Urban Writing Institute I. (3). (Same as ICL 7304-8304). Intensive study of writing research, current writing practices, and issues and trends related to K-12 writing instruction.
7813-8813. Memphis Urban Writing Institute II. (3). (Same as ICL 7305-8305). Prepares K-12 teachers to improve their own writing practices and assume a leadership role in writing instruction in their schools.
7815-8815. Seminar in the History of Rhetoric. (3). Examines different periods and issues of rhetorical history each semester. One semester will consider Greek rhetoric (beginnings throught the New Testament); another will consider Latin rhetoric (Cicero through the Renaissance); a third will cover Scottish, British, and American rhetoric. May be repeated for a maximum of 9 credit hours when topic changes.
7816-8816. Seminar in Theorists in Professional Writing. (3). A study of the works of major modern writing theorists in areas such as document design, collaboration, science, persuasion, editing, and writing process.
7817-8817. Seminar in Composition Theorists. (3). Readings from and study of major modern theorists in invention, argumentation, literacy, writing, and discourse.
7818-8818. Collaborative Writing. (3). Theoretical and research-based focus on managing and developing collaborative writing projects and processes.
7819-8819. Rhetoric of Science. (3). (Same as COMM 7819-8819). Examines the traditional equation of science with knowledge and the process by which historically based case studies of science writing and studies of technology can yield insight into the rhetorical dimensions of science.
7820-8820. Topics in Rhetoric. (3). (Same as COMM 7820-8820). Topical seminar devoted to an important aspect of the history, theory, or criticism of rhetoric. May be repeated for a maximum of 9 credit hours when topics change.
7822-8822. Contemporary Composition Theory. (3). Examines relationship between rhetorical and composition theory and contemporary philosophy, especially poststructuralism, neo-pragmatism, and hermeneutics.
7823-8823. Topics in Composition. (3). Topics can include invention, the writing process, writing assessment, style, and writing program administration. May be repeated for a maximum of 9 credit hours when topics change.
7862-8862. Writing Technical Manuals. (3). Focus on theories of manual writing, including minimal and cognitive approaches, with discussion of learning strategies and usability studies.
7890-8890. Topics in Technical Writing. (3). Intensive study of specialized areas in technical writing. May be repeated for a maximum of 9 credit hours when topics change.
7900. Creative Writing Colloquium. (3). A course in the preparation for the MFA thesis and the MFA comprehensive exam. NOTE: May be repeated for a maximum of 6 credit hours, but only three hours with any one professor may be applied toward the degree; recommended to be taken in the last semester of regular course work and first semester of thesis work.
†7996. Thesis. (1-6). A prospectus for the thesis must be approved by the student's advisor and the department chair before the student registers for this course. The completed thesis must be approved by at least two readers. NOTE: Students in Professional Writing must pass their comprehensive examination before registering for thesis hours and have the option of writing or producing a project or portfolio.
† 7997. Portfolio. (3). A course for MA students in Professional Writing who choose to produce a project or portfolio instead of a thesis. Before registering for the course, students must pass their comprehensive examination and have a prospectus for the portfolio or project approved by their advisor and the coordinator of graduate studies.
8900. English Studies Colloquium. (3). Defines and compares the history, research methodologies, and current issues of each of the concentrations in the doctoral program to provide integrative understanding of the discipline, and guide the student toward preparing and defending the dissertation proposal. NOTE: Student must pass PhD comprehensive exam before taking this course.
†9000. Dissertation. (1-9). No more than 9 hours may be applied toward the degree.
†Grades of S, U, or IP will be given.
‡Grades of A-F, or IP will be given.