ART
Room 201, Jones Hall
(901) 678-2216

RICHARD A. LOU, MFA
Chair

GREELY MYATT, MFA
Coordinator of Graduate Studies in Art
(901) 678-2650
E-mail: gmyatt@memphis.edu

MICHAEL D. HAGGE, MArch
Coordinator of Graduate Studies in Architecture
901-678-2677
E-mail: mdhagge@memphis.edu
http://architecture.memphis.edu

CAROL PURTLE, PhD
Coordinator of Graduate Studies in Art History
901-678-2942
E-mail: cpurtle@memphis.edu

http://deptart.memphis.edu

I. The Department of Art offers the Master of Arts degree with a major in Art History and concentrations in Egyptian Art and Archaeology or General Art History; the Master of Architecture; and the Master of Fine Arts with a major in Art and concentrations in Ceramics, Graphic Design, Interior Design, Painting, Printmaking/Photography, or Sculpture. The Department of Art is a fully accredited institutional member of the National Association of Schools of Art and Design.

II. MA Degree Program

Program objectives are: (1) assimilation and application of art historical methodologies to individual research; (2) practical application of critical analysis of the major theories and documents of art history to individual research; (3) field opportunities through museum internships or archaeological excavations; (4) ability to present research in a clear and persuasive format.

A. Program Admission

  1. Admission to the Graduate School: Applications received after April 1 cannot be guaranteed consideration for the Fall semester.
  2. For the concentration in General Art History, an undergraduate course in each of the major areas of art history is desirable: ancient, medieval, renaissance, baroque, and modern. For the concentration in Egyptian Art and Archaeology, an undergraduate major in Egyptology, art history, anthropology, history, classical studies, or archaeology is desirable. If, after evaluation of the student’s transcript, the art history faculty perceives a deficiency in these areas, the student may be required to successfully complete courses that will not count toward the Master of Arts degree.
  3. A letter of intent, explaining the applicant’s motivation and objectives in pursuing a graduate degree in art history.
  4. A sample of undergraduate writing, preferably in art history.
  5. Two letters of recommendation, at least one of which should be from a college faculty member who knows the student well.
  6. For those seeking graduate assistantships, the deadline for submission of all materials is February 15.
B. Prerequisites for Admission to Degree Candidacy

The student shall apply for admission to degree candidacy upon the completion of 18 semester hours of graduate work. All candidacy requirements listed below must be satisfied before registering for more than 18 hours of coursework at the graduate level. To be approved for admission for candidacy, the student shall have:

  1. A grade point average of at least 3.0 on a 4.0 scale.
  2. Fulfilled all departmental prerequisite requirements.
  3. A planned degree program that meets all departmental and graduate school requirements.
  4. The qualifying examination in art history shall be successfully completed and identified deficiencies removed. For a concentration in General Art History, this test is an entry-level slide identification examination covering key monuments of Western art from ancient through modern times. For a concentration in Egyptian Art and Archaeology, this test is an entry-level slide identification examination covering key monuments of ancient Egyptian art and an entry-level examination in Middle Egyptian.
  5. Knowledge of an appropriate foreign language must be demonstrated by the student. Generally speaking, advanced studies in art history require proficiency in at least one foreign language, depending upon the area of concentration selected by the student. Foreign language proficiency must be demonstrated by successfully passing an examination administered by the Department of Art; this examination should be taken during the first year of graduate study. This examination is set up so that each student is given a standard amount of time to translate in writing with the aid of a dictionary selected passages from scholarly articles in the student’s field. For a concentration in Egyptian Art and Archeology, French or German is preferred.
  6. The student must establish a history of satisfactory ratings in periodic review, a semi-annual evaluation of each student’s general level of achievement by all area graduate faculty. Two unsatisfactory ratings will result in dismissal from the program. Forms are available in the Art Department Office. Students with assistantships are required to take 12 hours each semester, 3 of which may be chosen from ART 7880 or 7881.
C. Program Requirements
  1. A total of 30 semester hours including the thesis.
  2. The completion of ARTH 6123 and 7130.
  3. A minimum of 18 semester hours in art history (not including the required ARTH 6123, 7130 or any hours in ARTH 7996).
  4. Twenty-one semester hours of 7000 level courses, including no more than 3 credit hours for the thesis.
  5. Up to 6 hours of elective credit outside the field of art history, including ARTH/ANTH 6381, 6660, 6661, 6662, 7661, 7662, may be selected with the permission of the advisor.
  6. The satisfactory completion of a comprehensive examination and an acceptable thesis, with presentation and defense. NOTE: Students should familiarize themselves with the Thesis/Dissertation Preparation Guide before starting to write the thesis.
  7. Graduate Assistantships. Students with assistantships are required to take 12 hours each semester, 3 of which must be from ART 7880 or 7881. Assistantships are renewed based on the following:
    1. Students must attain the required grade point average (3.4 in Egyptology, 3.0 otherwise) and maintain a good record in their assistantship work assignments.
    2. Students must make satisfactory progress toward the degree. In order to maintain satisfactory progress toward the degree during the first two semesters of study, the student must:
      1. pass the qualifying exam administered by the concentration, and
      2. take the foreign language exam.
    3. Students who fail to successfully complete these examinations by March 15 of the Spring semester will not receive a high priority for assistantship renewal for a third semester of study.

III. Master of Architecture (MArch)

The first professional Master of Architecture degree is for individuals with a pre-professional degree in architecture, environmental design, or equivalent program of study. The professional curriculum comprises the four-year Bachelor of Fine Arts in Architecture and the two-year Master of Architecture degrees. The post-professional Master of Architecture degree is for individuals already holding a professional degree in architecture who are interested in pursuing opportunities for research, teaching, and independent studies.

The architecture program is a member of the Association of Collegiate Schools of Architecture.

In the United States, most state registration boards require a degree from an accredited professional degree program as a prerequisite for licensure. The National Architectural Accrediting Board (NAAB), which is the sole agency authorized to accredit US professional degree programs in architecture, recognizes three types of degrees: the Bachelor of Architecture, The Master of Architecture, and the Doctor of Architecture. A program may be granted a 6-year, 3-year, or 2-year term of accreditation, depending on the extent of the conformance with established educational standards.

Master's degree programs may consist of a pre-professional undergraduate degree and a professional graduate degree that, when earned sequentially, constitute an accredited professional education. However, the pre-professional degreeis not, by itself, recognized as an accredited degree.

The NAAB grants candidacy status to new programs that have developed viable plans for achieving initial accreditation. Candidacy status indicates that a program should be accredited within 6 years of achieving candidacy, if its plan is properly implemented.

Program Objectives: The program of study for the Master of Architecture encompasses both the art and the science of design and is structured to engage students in the processes and professional standards of architecture and design. Through a series of professional core and elective courses, students (1) become competent in a range of intellectual, spatial, technical, and interpersonal skills; (2) understand the historical, socio-cultural, and environmental context of architecture; (3) are able to solve architectural design problems, including the integration of technical systems and health and safety requirements; and (4) comprehend the roles and responsibilities of the architect in society. The culturally diverse Memphis and Mid-South region serves as an urban and non-urban issues laboratory.

A. Program Admission
In addition to application to the Graduate School, all persons making application to the MArch program must submit the following materials directly to the Art Department:

  1. Portfolio: Applicant portfolios are reviewed for demonstration of aesthetic judgment, basic design ability, visual investigation skills, and abilities in architectural design, including identification of building elements and an understanding of their assembly, integration of building systems, a knowledge of building structure, and other evidence of understanding and abilities conforming to NAAB performance criteria.
  2. Letters of Recommendation: Three letters of recommendation are required.
  3. Statement of Intent: Applicants must submit a two-page essay describing professional background, objectives, and motivation for pursuing graduate study in Architecture. This brief statement should reflect an individual interest in this graduate program and provide some indication of professional goals or intentions.
All admission documents and portfolio must be received by 15 January for fall admission. Students who, in the judgment of the faculty, have adequate preparation may be given advanced standing.

B. Program Prerequisites

  1. Persons making application to the first professional MArch degree program must have completed an approved pre-professional undergraduate degree in Architecture, Environmental Design, or the equivalent.
    1. In assessing the pre-professional degree, the following course content or evidence of equivalent experience is required. Otherwise, the appropriate courses must be taken at the undergraduate level before being admitted to the MArch degree program:
      1. Architectural Graphics (both technical and freehand drawing), 6 semester hours
      2. Architectural History (ancient through modern), 6 semester hours
      3. Structural Design Principles (statics; strength of materials; gravity and lateral load tracing; design in timber, steel, concrete), 9 semester hours
      4. Building Materials and Assembly (light construction), 3 semester hours
      5. Environmental Systems (heat, light, sound, human comfort), 3 semester hours
      6. Architectural Design Studio (in addition to "design fundamentals" courses), 24 semester hours
    2. Where slight deficiencies in preparation exist, applicants may be admitted with the stipulation that they complete additional design studio or supporting courses. These may not count toward the required graduate plan of study.
  2. Persons making application to the post-professional MArch degree program must have completed an NAAB-accredited professional undergraduate degree in architecture. Registration as an architect in the United States may be substituted for the professional degree.

C. Program Requirements

  1. A total of 60 semester hours, including 6 hours of thesis studio
  2. A minimum of 42 semester hours at the 7000 level, including no more than 6 semester hours of thesis
  3. A total of 36 semester hours of Architecture core courses, including 18 semester hours of advanced architectural design studios, 9 semester hours of architectural seminars, and 9 semester hours of architectural theory and advanced professional and technical courses
  4. A minimum of 2 semester hours of Architecture Thesis Research and 6 semester hours of Architecture Thesis Studio. Thesis must be approved by a faculty committee.
  5. Students receiving assistantships are required to take a minimum of 12 credit hours per semester.

D. Transfer of Credits

The Architecture program director may recommend to the Graduate School acceptance of no more than 12 semester hours of credit for architecture course work successfully completed at another institution. For students formerly enrolled in graduate programs accredited by the National Architectural Accrediting Board, a maximum of 24 semester hours in architecture course work may be approved.

IV. MFA Degree Program

Program objectives are: (1) professional studio competence as exemplified by a significant body of work; (2) professional competence in the dissemination of knowledge, including logical and clear written and verbal expression of ideas in teaching contexts; and (3) development of skills for critical and analytical reasoning as a practicing art professional.

A. Program Admission

  1. Portfolio: Approval by the area graduate committee of the applicant’s creative work as specified below:
    1. Graphic Design: 20-30 slides of original and/or printed works. Submission of original work may be requested.
    2. Interior Design: 20-30 slides of drawings, perspectives, renderings, plans, elevations, etc.
    3. Ceramics, Painting, Printmaking/ Photography, and Sculpture: 20-30 slides of work mainly in the applicant’s concentration area plus some slides of drawings and optional other media. Include additional views of 3D pieces. Submission of original work might be requested.
  2. Letters of recommendation: Letters from two persons familiar with the applicant’s creative activity but who are not members of the area graduate committee. If applying for a teaching assistantship, each recommendation should contain reference to the applicant’s teaching ability. Graphic design applicants are required to submit two letters of reference.
  3. Statement: A brief, personal statement of professional ambitions, intended concentration area, other special creative interests, and outline of previous professional experience.
  4. Deadline: All University and Department of Art MFA application materials are due February 15 for Fall admission and assistantship consideration.
  5. Address: Send slides, work, letters of recommendation, and statement to:
    Coordinator of Graduate Studies
    Department of Art
    The University of Memphis
    Memphis, Tennessee 38152
  6. Deficiencies: Students may be admitted but required to complete undergraduate prerequisites or otherwise correct deficiencies.
  7. Students with assistantships are required to take 12 hours each semester, 3 of which may be chosen from ART 7880 or 7881.
B. Program Prerequisites
  1. Previous education and experience: Normally admission to the graduate program will require an undergraduate major in the applicant’s concentration area. (See concentration areas listed above.) A baccalaureate degree from an accredited institution is required with not less than 70 semester hours of art, of which 12 hours should be in art history and 18 hours (24 hours for Graphic Design and Interior Design) must be in the concentration studio courses. Exceptions to the above requirements will be considered, however, when the portfolio and professional experience warrant it.
  2. Transfer credit: Any applicant who holds an MA degree in studio art from another institution may transfer up to a maximum of 30 semester hours credit in art earned for that degree to apply toward the MFA degree.
  3. Students applying to the program in Interior Design are required to have completed an undergraduate degree in interior design or architecture. In addition, a minimum of two years full-time professional experience in either field, after completing the undergraduate degree, is strongly recommended.
C. Prerequisites for Admission to Degree Candidacy

The student shall apply for admission to degree candidacy during the semester in which the student completes 30 hours of graduate work. To be approved for admission to candidacy, the student shall have:

  1. A grade point average of at least 3.0 on a 4.0 scale,
  2. Removed all departmental prerequisite requirements,
  3. A planned degree program that meets all departmental and graduate school requirements, and
  4. Established an overall history of satisfactory ratings in periodic review (a semi-annual evaluation of each student’s general level of achievement by a committee of area graduate faculty) and be approved for candidacy by that committee.
D. Program Requirements
  1. A total of 60 semester hours, including a thesis of 6 semester hours in the student’s area of concentration.
  2. A total of 36 semester hours of studio art, excluding the thesis, with a minimum of 24 semester hours in the student’s area of concentration.
  3. Forty-two semester hours of 7000 level courses.
  4. A total of 9 semester hours in art history.
  5. A total of 9 semester hours of electives.
  6. Students with a concentration in graphic design are required to take at least 12 semester hours of ART 7040 and 7240 combined.
  7. Residency requirement for Graphic Design and Interior Design: The student must commit to full-time study for a minimum of two successive semesters after admission to either design concentration to fulfill the residency requirement.
  8. Students from the concentrations of Ceramics, Painting, Photography, Printmaking, and/or Sculpture must enroll in Art 7651 (1 hour) when also enrolled in a 6000 or 7000 level studio course.
  9. Satisfactory grade on a written comprehensive examination, with follow-up oral examination at option of examining committee.
  10. Thesis (exhibition) to be approved by a faculty committee with the member under whom the thesis was prepared as chair. For graphic design candidates, a written thesis accompanied by appropriate visual documentation is required.

V. Interdisciplinary Graduate Certificate Program in Museum Studies (administered jointly by the Departments of Anthropology and Art).

A. Program Admission
  1. Students currently admitted to a graduate program at the U of M or another university or students holding a graduate degree may apply for admission. For students enrolled in a graduate program, a minimum GPA of 3.0 is required for admission. In rare instances, a student who has completed an undergraduate degree program but who has not completed a graduate degree nor been admitted to a graduate program may apply and will be considered on an individual basis. All students not currently admitted to a graduate degree program at the U of M must also apply to the Graduate School for admission as a non-degree student. In order to continue in the program, students must maintain at least a 3.0 GPA.
  2. To apply, students submit:
    1. transcript of undergraduate degree program and transcripts of prior and current graduate study;
    2. three letters of recommendation; and
    3. a letter describing reasons for wishing to take a graduate certificate in the area of museum studies and how the program corresponds with prior experience and anticipated career plans.

Inquiries can be directed to Dr. Leslie Luebbers, Director of the Art Museum (lluebbrs@memphis.edu) or Dr. Linda Bennett, Associate Dean, College of Arts and Sciences (lbennett@memphis.edu).

B. Program Requirements

A minimum of 18 credit hours is required.

  1. Six of the 18 hours will be met by completion of two core courses: ANTH/ARTH 7661 Museum Practices and ANTH/ARTH 7662 Museums and Communities.
  2. Six elective hours will be selected in consultation with the Admissions and Advisory Committee. Except for unique circumstances, students in the Anthropology and Art History graduate programs must take at least three elective hours outside of their major department.
  3. Two three-hour internships (ANTH/ARTH 7669 Museum Internship) are required. Each internship site will be chosen in consultation with the Admissions and Advisory Committee. For those students working in a museum or other appropriate community site, three of the internship hours may be replaced by a third elective course.

ARCH (ARCHITECTURE)
NOTE: The ARCH courses below require a $20 per credit hour materials fee.

Architecture Core Curriculum

6022. Architecture and Urbanism Seminar. (3). Review of contemporary concepts in architectural design in the context of the urban environment; attitudes and phenomena making the particular culture of today and their impact on the built environment. PREREQUISITE: Permission of instructor. COREQUISITE: ARCH 4822/6822.

6822. Architecture and Urbanism Studio. (6). Advanced design studio for identifying needs, resources, and operational methodologies across an expanded range of environmental scales; methods for identifying socio-cultural needs and coordination of complex variables, information, and resources, leading to conceptualization and development of design of components of the built environment. COREQUISITE: ARCH 6022.

7011. Advanced Architectural Design Seminar I. (3). Offered in conjunction with advanced studio problems in architecture; changing topics address a variety of critical and ideological constructs; emphasizes life-safety, building envelope and service systems, materials and assemblies. COREQUISITE: ARCH 7711.

7012. Advanced Architectural Design Seminar II. (3). Advanced studio problems in architecture; changing topics address a variety of critical and ideological constructs; emphasizes structural and environmental issues as design determinants. PREREQUISITE: ARCH 7711; COREQUISITE: ARCH 7712.

7211. Contemporary Architectural Theory. (3). Critical study of contemporary theoretical writings and related architectural production; contemporary issues informing current architectural discourse; the Modernist canon and "-isms" from the mid-twentieth century to the present.

7421. Advanced Environmental Systems. (3). Advanced principles, appropriate applications and performance of environmental systems; accoustical, lighting, climate modification systems, and energy use integrated with the building envelope. PREREQUISITE: ARCH 3421 (or approved equivalent) or permission of instructor.

7431. Advanced Professional Practice. (3). Basic principles and legal aspects of practice organization, financial management, business planning, time and project management, risk mitigation, mediation and arbitration; trends affecting practice such as globalization, outsourcing, project delivery, expanded practice settings, diversity, and others. PREREQUISITE: ARCH 3431 (or approved equivalent) or permission of instructor.

7711. Advanced Architectural Design Studio I. (6). Advanced studio problems in architecture; changing topics address a variety of critical and ideological constructs; emphasizes life-safety, building envelope and service systems, materials and assemblies. COREQUISITE: ARCH 7011.

7712. Advanced Architectural Design Studio II. (6). Advanced studio problems in architecture; changing topics address a variety of critical and ideological constructs; emphasizes structural and environmental issues as design determinants. PREREQUISITE: ARCH 7711, 7011; COREQUISITE: ARCH 7012.

‡7930. Architectural Thesis Research. (3). Study and research in a specific area culminating in an integrating experience through individual project; research techniques, preliminary research, and conceptual development of an architectural project; site analysis and selection, case studies; development of thesis proposal. PREREQUISITE: Permission of instructor.

†7996. Architectural Thesis Studio. (1-6). Emphasizes comprehensive integration of disciplinary and professional skills through formulation of architectural propositions grounded in theoretical, critical, and creative research. PREREQUISITE: ARCH 7930.

Architecture Electives

6021. Architecture Independent Study. (1-3). Independent research in selected area of architecture faculty. May be repeated for a maximum of 6 hours credit. PREREQUISITE: Permission of instructor.

6023. Urban Design Seminar. (3). Comprehensive overview of significant issues of contemporary urban design; emphasis on experiential nature of cities and role of the architect in urban design. PREREQUISITE: Permission of instructor.

6221. Determinants of Modern Design. (3). Significant works of architecture and urban design from 1900 to present; focus on Europe, the US, and non-Western world; examines architecture as a mode of cultural production in relation to its aesthetic. PREREQUISITE: ARCH 1211, 1212, or equivalent.

6451. Site and Environmental Planning. (3). Building sites; selection and utilization, including environmental influences; technical aspects such as zoning, contour lines, parking, ingress/egress, site drainage, building location, and sustainable design. PREREQUISITE: Permission of instructor.

6510-6519. Special Topics. (1-3). Topics are varied and announced in online class listings. May be repeated for a maximum of 6 hours when topic varies. PREREQUISITE: Permission of instructor.

6613. Computer Applications in Architecture III. (3). Advanced design, modelling, and analytical concepts using various computer software programs. PREREQUISITE: Permission of instructor.

6811. Parameters in Architecture Studio. (3-6). Comprehensive overview of differences and relationships of history, technology, and culture in terms of impact on architecture and urban design; concepts of form generation and historic dimensions of architecture with respect to human settlement. May be repeated for a maximum of 6 hours when topic changes. PREREQUISITE: Permission of instructor.

6812. Furniture Design Studio. (4). Examination of the historical precedents in modern style and the place of furniture in architecture; design philosophy, expression of materials, and construction. PREREQUISITE: Permission of instructor.

6821. Urban Design Studio. (6). Comprehensive overview of significant issues of contemporary urban design; emphasis on experiential nature of cities, role of public policy, and genesis and development of urban building types. PREREQUISITE: Permission of instructor.

6841. Studio-Study Abroad. (3-9). Comparative studies of cultures; relationships of culture to physical environment, organization of cities; history and behavior of inhabitants; analysis and documentation of elements of physical environment and relationship between buildings and urban fabric. PREREQUISITE: Permission of instructor.

‡7021. Architecture Independent Study. (1-3). Independent research in selected area of architecture faculty. May be repeated for a maximum of 6 credit hours in increments of 1, 2, or 3 credit hours. PREREQUISITE: Permission of instructor.

†Grades of S, U, or IP will be given.
‡Grades of A-F, or IP will be given.

ART (ART)

NOTE: The ART courses below require a $20 per credit hour materials fee.

6010-19. Special Topics in Studio Art. (1-3). Topics are varied and announced in online class listings. May be repeated to a maximum of 9 hours when topic varies.

6020-29. Special Topics in Art Education. (1-3). Topics are varied and announced in online class listings. May be repeated to a maximum of 9 hours when topic varies.

6211. Writing and the Design Process. (3). Focus on synthesis of verbal and visual problem-solving methods and use of writing as an integral phase of design process. PREREQUISITES: ART 3213 and 3222 or permission of instructor.

6221. Graphic Design for Print Communications. (3). Practical problems in the areas of publication, information, corporate, and promotional design. PREREQUISITES: ART 3213 and 3222 or permission of instructor.

6222. Interactive Multimedia for Graphic Design. (3). Introduction to time-based, electronic media in graphics design, impact of electronic interface on visual communication; emphasis on visual design of narrative, commercial, editorial and/or educational multimedia presentations on computer. PREREQUISITES: ART 2223 and admission to Graphic Design concentration.

6223. Specialized Studies in Graphic Design. (3-12). Advanced instruction in electronic imaging, typography, and publication design, 3-dimensional design, corporate and promotional design, or information graphics. May be repeated to a maximum of 12 hours when topics vary.

6224. History of Graphic Design. (3). Cultural, theoretical, and stylistic aspects of major movements in field of graphic design in Europe and America from the Industrial Revolution to present. PREREQUISITE: Admission to Graphic Design concentration.

6233. Design Practice Studio. (3). Faculty supervision on projects for institutional and corporate clients; development of publications, exhibits, signage and other graphics, and participation in professional design process from project inception to completion. May be repeated for a maximum of 12 credit hours with approval of the advisor.

6314. Art of the Book. (3). Comprehensive study of skills and processes involved in design of traditional and non-traditional book formats; investigates history of the book, the book as aesthetic object and as vehicle for creative expression. PREREQUISITE: ART 3313, 3314, or permission of instructor.

6321. Drawing and Painting I. (3). An advanced course in drawing and painting methods with emphasis on transparent watercolor.

6322. Drawing and Painting II. (3). A continuation of Art 6321 with attention given to various mixed media.

6331. Painting III. (3). Advanced problems in oil painting, presupposing that the student has mastered basic techniques and is ready for a more experimental approach to the subject.

6332. Painting IV. (3). A continuation of Art 6331 with emphasis on development of a personal style.

6333. Painting V. (3). Continuation of ART 6332; emphasis on development of personal style. PREREQUISITE: ART 6332 or permission of instructor.

6351. Advanced Printmaking I. (3). Specialization in one or two printmaking media with emphasis on development of personal imagery and technical skills.

6352. Advanced Printmaking II. (3). Advanced work in one or two printmaking media with continued development of personal imagery and advanced technical skills.

6353. Computer Imaging in Printmaking and Photography I. (3). Use of digital imaging in one of several output options including inkjet printing, lithography, screen printing, etching, silver and non-silver photographic processes; emphasis on personal expression. PREREQUISITES: Computer course and either ART 2351 or 2701.

6354. Computer Imaging in Printmaking and Photography II. (1-3). Advanced project using digital imaging; proposal for study to be approved in advance; emphasis on personal expression. May be repeated to a maximum of 6 hours. PREREQUISITE: ART 6353 or permission of instructor.

6410. Art Education Independent Study. (1-3). Theoretical and pragmatic ideas relevant to teaching of art. May be repeated for a maximum of 6 credit hours.

6511. Sculpture IV. (3). Advanced work in various sculptural media.

6512. Sculpture V. (3). A continuation of ART 6511 with emphasis on personal expression.

6521. Ceramics III. (3). Introduction to pottery-making, including hand forming and production processes using clays, plaster, and cements.

6621. Workshop in Art I. (1-3). Specific art problems as they apply to individual student; emphasis on basic art concepts and creative experience.

6622. Workshop in Art II. (1-3). Continuation of ART 6621, providing study of problems appropriate to needs of individual student.

6641. Study and Travel in Art. (3 or 6). Travel to important art areas of the world with specialized study under direction of departmental faculty member; research problem assigned and evaluated by major professor required.

6650. Professional Art Practices. (3). Development of skills needed for success as practicing professional artist, including portfolio preparation and presentation, marketing, contracts, copyrights, and alternative art careers.

6701. Color Photography. (3). Exploration of photographic perception in color; survey of the history and aesthetics of color photography; techniques of color photography with emphasis on color printing. PREREQUISITE: ART 2702 or ART 6002 or permission of instructor.

6702. Photographic Materials and Processes. (3). Primarily an advanced technical course exploring the creative potential in various contemporary photographic materials, processes and techniques; emphasis on aesthetic application of those materials and techniques. PREREQUISITE: ART 2702 or ART 6002 or permission of instructor.

6703. Alternative Photographic Processes. (3). Creative potential of archaic and non-traditional photographic processes such as Cyanotype, Gum Bichromate, and Kwik-Print. PREREQUISITE: ART 2702 or permission of instructor.

6704. Photographic Lighting. (3). Advanced theory, technique, and equipment used by professional photographers for black and white and color; emphasis on aesthetic application in actual practice. PREREQUISITE: ART 2702 or permission of instructor.

7010-19–8010-19. Special Topics in Studio Art. (1-3). Topics are varied and announced in online class listings. May be repeated for a maximum of 9 credit hours when topics varies.

7020-29–8020-29. Special Topics in Art Education (1-3). Topics are varied and announced in online class listings. May be repeated for a maximum of 9 credit hours when topics varies.

‡7040. Problems in Graphic Design: Methodology and Practice (3). Issues, theory, and methodology for graphic designers; research of assigned topic, class discussions, and studio projects. May be repeated for maximum of 12 hours when topics vary.

7200. Photography Seminar. (3). Self-assigned visual/conceptual photographic problem in which journal is kept; group critiques and some seminar activities. May be repeated for a maximum of 6 hours.

‡7201-8201. Advanced Research in Photography. (3). Independent work and research in photography. May be repeated for a maximum of 9 credit hours. PREREQUISITE: Permission of instructor.

7240. Visual Communication Research Topics. (3). Group discussion and criticism of individual study problems; emphasis on independent studio research projects as related to general topic in visual communication.

‡7330-8330. Studies in Two-Dimensional Media. (1-12). Exploration of an original visual arts idea in two-dimensional media. May be repeated for a maximum of 12 hours credit depending upon recommendation of advisor.

7411. Methods for Elementary Art. (3). Introduction to skills, methods, and content for teaching a comprehensive art education program in an elementary setting; includes studio and art appreciation activities, emphasizing materials and methods for children's art expression and development. NOTE: May include field experience and background check at student's expense.

7420. Methods for K-12 Art Instruction. (2). Instructional planning, implementation, and evaluation applied to elementary and secondary school art programs.

7421. Positive Youth Development through the Arts. (3). Introduction to an asset or strength-based model for promoting positive youth development; investigates exemplary models of collaborative, interdisciplinary, cross-cultural creative arts programs for urban youth; students submit a process portfolio documenting their experiences. PREREQUISITE: Permission of instructor.

7423. Methods for Arts in Secondary Schools. (3). Studio activities and related art education issues relevant to artistic development of adolescents; emphasizes multicultural concerns, practical classroom management skills, and a variety of art teaching methods and evaluation systems. NOTE: May require fieldwork and background check at student's expense. PREREQUISITE: Permission of instructor.

7441. Art Education Professional Seminar. (3). Development of effective practices for art education; includes analysis and problem solving of art student teaching experience, and creation of professional portfolio. PREREQUISITE: Completion of all other licensure and degree requirements. COREQUISITE: ICL 7912.

‡7550-8550. Studies in Three-Dimensional Media. (1-12). Exploration of an original visual arts idea in three-dimensional media. May be repeated for a maximum of 12 hours credit depending upon recommendation of advisor.

7640. Studies in Computer Animation. (3). Advanced techniques and principles of visual communication in the video animation format. PREREQUISITE: permission of instructor.

†7651. Graduate Studio Seminar. (1). Student presentation and discussion of current studio work in ceramics, painting, photography , printmaking, and/or sculpture courses at the 6000 or 7000 level. May be repeated once per semester for a maximum of 12 credit hours.

‡7660-8660. Directed Individual Study. (1-12). Individual investigation of special research problems or projects. May be repeated for a maximum of 12 hours credit upon recommendation of advisor.

‡7710. Independent Studies in Black and White Photography. (3). Independent exploration of original black and white photographic art ideas and studio techniques. May be repeated for maximum of 6 hours upon recommendation of advisor.

7711. Advanced Photography Seminar. (3). (6711) Emphasis on finding a personal direction within the student's work, pursuing that direction, and discussing it in class critiques. PREREQUISITE: ART 7003 or permission of instructor.

7712. Photography Portfolio Seminar. (3). (6712) Student must produce a book of photographs or portfolio (bound by student) that represents a coherent, in-depth picture statement. REREQUISITE: ART 7711.

7770. Studies in Mixed Media. (1-12). Explorations of an original visual arts idea in mixed media. May be repeated for a maximum of 12 hours credit upon recommendation of advisor.

†7880. Teaching Art for Graduate Assistants (1-3). Overview and practical demonstrations of the art of teaching Art. Required of all graduate teaching assistants. May be repeated for a maximum of 3 credits.

†7881. Workshop in Art for Graduate Assistants (1-3). Presentation of research methods and scholarly output by faculty, graduate students, and visiting scholars. May be repeated for a maximum of 3 credits.

†7996 Thesis. (1-6). Preparation and defense of a thesis prepared under direction of major professor. Studio Art thesis requires an exhibition.

† Grades of S, U, or IP will be given.
‡Grades of A-F, or IP will be given.

ART HISTORY (ARTH)
NOTE: The ARTH courses below require a $20 per credit hour course fee.

6030-39. Special Topics in Art History. (1-3). Topics are varied and announced in online class listings. May be repeated to a maximum of 9 hours when topic varies.

6111. Art and Archaeology of Egypt. (3). Pre-dynastic to Late Period.

6112. Egyptian Art and Archaeology in the Old and Middle Kingdoms. (3). Art, architecture, and archaeology, 3000-1500 BC.

6113. Egyptian Art and Archaeology in the New Kingdom and Late Period. (3). Art, architecture, and archaeology, 1500 BC. to 642 AD.

6121. Ancient Art of the Near East. (3). Architecture, sculpture, painting, and the minor arts in Mesopotamia, Anatolia, and Syria-Palestine.

6123. Greek Art. (3). Architecture, sculpture, and painting from the Bronze Age to the end of the Hellenistic period.

6124. Roman Art. (3). Architecture, sculpture, and painting from Etruscan Rome to the fall of the Empire.

6125. Art and Archaeology of Pompeii. (3). Pompeii’s excavations, art, artifacts, and architecture in reconstructing ancient Roman daily life.

6129. Studies in Ancient and Medieval Architecture. (3). Selected topics comparing the architecture of ancient Egypt, the Classical world, and Medieval Europe.

6130. Art of the Medieval World. (3). Architecture, sculpture, and painting, including manuscript illumination, of the Middle Ages; includes Western European and Byzantine traditions.

6131. Art of the Early Middle Ages. (3). Advanced study of the architecture, sculpture, and painting of early medieval period.

6134. Art of the High Middle Ages (3). Advanced study of the architecture, sculpture, and painting, including manuscript illumination, stained glass, and ivories, of Romanesque and Gothic periods.

6141. Art of the Early Renaissance in Italy. (3). Survey of the architecture, sculpture, and painting of Italy, 1300-1510.

6142. Northern Renaissance Art. (3). Fifteenth century art in Northern Europe with emphasis on panel painting, manuscript illumination, and printmaking.

6143. Art of the High Renaissance in Italy. (3). Sixteenth century art in Italy, highlighting the works of Michelangelo, Raphael, Titian, and the Mannerists.

6146. Baroque Art. (3). Historical study of the architecture, sculpture, and painting produced in Europe during the seventeenth century.

6148. Neo-classicism and Romanticism. (3). Western European art, ca. 1760-1850, emphasizing painting, sculpture, and art theory. PREREQUISITE: ARTH 2102 or permission of instructor.

6149. Realism and Impressionism. (3). Western European art, ca. 1850-1880, emphasizing painting, sculpture, and art theory. PREREQUISITE: ARTH 2102 or permission of instructor.

6152. Early Modern Art. (3). Movements in Western art and art theory, 1880-1905, that are the foundation of 20th century modernism, especially Symbolism and Post-Impressionism. PREREQUISITE: ARTH 2102 or permission of instructor.

6153. Cubism through Surrealism. (3). Modern European art movements from ca. 1905 to World War II; covers Cubism, Expressionism, Surrealism. PREREQUISITE: ARTH 2102 or permission of instructor.

6155. High Modern Art. (3). American and European art and art theory, emphasizing the development of modernism. PREREQUISITE: ARTH 2102 or permission of instructor.

6157. Contemporary Art: Theory and Criticism. (3). Historical movements, theory, and criticism from 1968 to the present. PREREQUISITE: ARTH 2102 or permission of instructor.

6158. Modern Architecture. (3). 19th century styles, 20th century masters, contemporary developments in architecture, including historic preservation.

6160. Architecture and Nature. (3). Survey and analysis of spaces in variety of cultures from world history where relationship between the natural and the built environment is healthy.

6162. Latin American Art. (3). Hispanic arts of the Americas from 1500 to the present, considered in relation to Iberian and Indian traditions.

6163. Pre-Columbian Art. (3). A survey of the ancient arts of Mexico, Central America, and South America from c. 1000 BC. to European contact.

6166. Social History of American Art. (3). (6167, 6168). American art examined in social, cultural, and historical contexts; presents broad range of creative expression, including fine and applied arts and popular culture, from conquest period to modern developments in American visual studies.

6181. Traditional Arts of Africa, Oceania, and North America. (3). Survey of arts created by Native Americans of US and Canada, peoples of sub-Saharan Africa, and Pacific islands, examined in relation to their cultural context and heritage.

6183. Visual Arts of Africa. (3). Survey of arts of African continent from pre-historic to modern eras; African aesthetic traditions examined in relation to social and cultural contexts.

6185. African American Art. (3). Introduction to African American visual expression and culture from Colonial to modern eras, covering fine arts, photography, film, and popular culture.

6381. Art Curatorial Techniques. (3). Concentrates on curatorial responsibilities and functions, receiving and shipping methods, registration, physical and environmental security, research, conservation, and a study of the art market and publications.

6660. Museum Collections. (3). (Same as ANTH 6660). Museum collection theory and methods, including collection policy, development, preservation, documentation, and interpretation. PREREQUISITE: Permission of instructor.

6661. Collections Research. (3). (Same as ANTH 6661). Introduces students in object-based disciplines to museum collections research methods and their applications to exhibitions, catalogs, and scholarly publications. PREREQUISITE: Permission of instructor.

6662. Museum Exhibitions. (3).(Same as ANTH 6662). Museum exhibition methods and theory, including research, design, layout, object selection and handling, installation, public programing, and evaluation. PREREQUISITE: Permission of instructor.

6721. History of Photography I. (3). Survey of the history and theory of photography since its invention in the 19th century.

6722. History of Photography II. (3). Historical and critical issues in photography from World War I to present.

7030-39–8030-39. Special Topics in Art History. (1-3). Topics are varied and announced in online class listings. May be repeated to maximum of 9 hours when topic varies.

‡7110. Advanced Individual Study in Art History. (3). Historical periods of art history with emphasis on individual research. May be repeated for credit when topic varies. PREREQUISITE: permission of instructor.

7115. Middle Egyptian I. (3). Grammar and translation of hieroglyphs.

7116. Middle Egyptian II. (3). Readings in hieroglyphs. PREREQUISITE: ARTH 7115 or equivalent.

7117. Middle Egyptian Literature. (3). Readings and translations of major literature of Ancient Egypt. PREREQUISITE: ARTH 7116 or equivalent.

7118. Middle Egyptian Historical Texts. (3). Readings and translations of ancient Egyptian works of history. PREREQUISITE: ARTH 7116 or equivalent.

7119. Late Egyptian. (3). Readings in literature and other texts. PREREQUISITE: ARTH 7116 or equivalent.

‡7120-8120. Medieval Art. (3). Selected areas or specific problems in Early Medieval, Romanesque, or Gothic Art. May be repeated for a maximum of 12 hours when topic varies.

‡7121-8121. Ancient Art. (3). Selected areas or specific problems in Egyptian, Near Eastern, Greek, or Roman Art. May be repeated for a maximum of 12 hours when topic varies.

7125-8125. Egyptian Art and Archaeology. (3). Topics and problems in Egyptian art and archaeology. May be repeated for a maximum of 12 hours when topic varies.

7130-8130. Art History Methods and Professional Practice. (3). History of the discipline along with current research methods. Students develop research presentations in oral and written formats.

‡7140-8140. Renaissance Art. (3). Selected areas or specific problems of Renaissance Art. May be repeated for a maximum of 12 hours when topic varies.

‡7150-8150. Nineteenth Century Art. (3). Selected areas or specific problems in Nineteenth Century Art. May be repeated for a maximum of 12 hours when topic varies.

‡7152-8152. Twentieth Century Art. (3). Selected areas or specific problems in Twentieth Century Art. May be repeated for a maximum of 12 hours when topic varies.

‡7165-8165. American Art: Ancient to Modern. (3). Selected areas or specific problems in Pre-Columbian, North American Indian, Spanish Colonial, or American Art. May be repeated for a maximum of 12 hours when topic varies.

‡7660-8660. Directed Individual Study. (1-12). Individual investigation of special research problems or projects. May be repeated upon recommendation of advisor.

7661. Museum Practices. (3). (Same as ANTH 7661). Museum administration, finance, collection management, conservation, education, exhibition design, marketing, and visitor services. PREREQUISITE: Permission of instructor.

7662. Museums and Communities. (3). (Same as ANTH 7662). History and theory of museums, governance, audiences, and current topics in the profession. PREREQUISITE: Permission of instructor.

‡7669. Museum Internship. (3-6). (Same as ANTH 7669). Structured experience in selected aspects of museum practice. Includes 150 contract hours in museum and colloquium. May be repeated for a maximum of 6 credit hours. PREREQUISITE: ANTH 7661, 7662 and/or permission of instructor.

†7880-8880. Teaching Art History for Graduate Assistants (1-3). Overview and practical demonstrations of the art of teaching Art. Required of all graduate teaching assistants. May be repeated.

†7881-8881. Workshop in Art History for Graduate Assistants (1-3). Presentation of research methods and scholarly output by faculty, graduate students and visiting scholars. May be repeated.

†7996 Thesis. (1-6). Preparation and defense of a thesis prepared under direction of major professor. Studio Art thesis requires an exhibition.

INTERIOR DESIGN (IDES)

6430. Interior Design Internship. (3). Supervised apprenticeship in interior design industry. Placement requires approval of interior design faculty. PREREQUISITE: IDES 3711.

† Grades of S, U, or IP will be given.
‡Grades of A-F, or IP will be given.